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Pine’s music was powerful, intense and in the tradition of the great tenor saxophonists such as Coltrane and Rollins.

Figuring in the Top 40, an unprecedented achievement for a British jazz album, it went silver, helping to trigger the 1980s jazz boom.

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In their own way this Hammond B-3 organ trio of the sort that has been around in jazz for at least 50 years pushed at the boundaries of jazz with rollicking grooves and extended keyboard improvisations.

This might be edgy music, but it is body music just the same, try ‘Coconut Boogaloo’ or ‘Sugar Craft’ then see if you can stop popping your fingers.

(KS)94 Cassandra Wilson - Blue Light ’Til Dawn - Blue Note Cassandra Wilson (v), Charlie Burham (vn), Brandon Ross, Gib Walton, Chris Whitley (g), Kenny Davis, Lonnie Plaxico (b), Kevin Johnson, Lance Carter, Cyro Baptista and Bill Mc Clellan (d, perc) plus others. 1993Female jazz vocals had gone through many false dawns between the late 1960s and the arrival of Cassandra Wilson’s blue light in 1993.

Jazz and blues roots have often been vocal starting points for revivals of every type, so it’s appropriate that Wilson, with her burnished alto voice, should reach in that direction to find not only a crossover audience but establish a new consensus alongside the Great American Songbook to underpin her artistic credibility.

With an active critical fraternity already analysing the music’s every move, by the time records such as Saxophone Colossus turned up in 1956, the ability of a record to influence the entire direction of the music came centre stage.

By the 1960s and 70s, things had only intensified on this front, with albums by leading players and breakthrough artists becoming major events, not only for the media feasting on them but for the fans, many who had come to the music from a flourishing progressive rock scene that thrived on such things.(TB)99 The Bad Plus - These Are The Vistas - Columbia Ethan Iverson (p), Reid Anderson (b) and Dave King (d). 2003Very few jazz groups today set out to mess with your head.You know, get inside there, push the furniture over, chuck things out of the window and generally make a nuisance of themselves. They barge in, do things a jazz piano trio isn’t supposed to do, such as play Blondie’s ‘Heart of Glass’ or Kurt Cobain’s ‘Smells Like Teen Spirit.’ To get inside these songs, and their own well thought-out originals, they may inflict a bit of grievous bodily harm on the musical structures, but at least they give you a musical experience you won’t forget easily.After jazz and marketing embraced one another in the 1980s and 90s, this became even more pivotal and inter-related.New waves of scorchingly impressive musicians arrived at the gates to deliver their own challenges as the music moved inexorably beyond its American roots to go truly global. Barely a month goes by without magazines, newspapers or TV programmes pushing yet another poll of the 100 greatest whatever. So, we thought that to celebrate the hundredth issue of your favourite magazine we’d take that perilous step to announce what we think are the 100 Jazz Albums That Shook The World.

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