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At one point, before he died this dramatic mid-retreat death, the soldier had had a name.

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Sometimes though, omitting an image means shielding the public from the messy, imprecise consequences of a war—making the coverage incomplete, and even deceptive.

In the case of the charred Iraqi soldier, the hypnotizing and awful photograph ran against the popular myth of the Gulf War as a “video-game war”—a conflict made humane through precision bombing and night-vision equipment.

The image and its anonymous subject might have come to symbolize the Gulf War.

Instead, it went unpublished in the United States, not because of military obstruction but because of editorial choices.

He might have been devoted to the dictator who sent him to occupy Kuwait and fight the Americans.

Or he might have been an unlucky young man with no prospects, recruited off the streets of Baghdad.

Not every gruesome photo reveals an important truth about conflict and combat.

Last month, decided—for valid ethical reasons—to remove images of dead passengers from an online story about Flight MH-17 in Ukraine and replace them with photos of mechanical wreckage.

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