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Jennifer King, who directed last season’s Jennifer King (Haley Walker) is an international theater artist.

She recently returned from five months in Europe where she created and performed her own work, co-directed and acted in the medieval play which she directed at Cinnabar last season.

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One of the theater’s most widely produced contemporary playwrights has created a hilariously idiosyncratic journey of self-discovery involving the Romanian mob, a Buddhist rainstorm, a teenage daughter, lots of shoes, and a few very bad dates.

Ingrid Emming (Stage Manager) began stage managing in 2007, for Cinnabar Theater’s production of at 6th Street Playhouse.

She has also worked on productions with Raven Performing Arts Theater, Pegasus Theater, Main Stage West, and Narrow Way Stage Company.

She is a regular designer at the Raven, at San Domenico School and for Cardinal Newman High School.

When she finds time off, it is usually spent gaming.

She has directed for Play Ground, Porchlight Theatre Company, Word For Word, West Marin Players, Ross Valley Players and College of Marin, where she teaches. De Luca (Lighting Designer) is a busy little stagehand/designer, jumping from the Wells Fargo Center to Diversified Stage to her active life in freelance lighting.

She graduated from SSU in 2013 with a technical theatre degree and works hard to make that degree work for her.

In addition Skipper had the pleasure of designing the last three of Reduced Shakespeare’s premiere productions: Christmas Abridged, Comedy Abridged and most recently Shakespeare’s Long Lost First Play Abridged. There really is no fourth wall here, only a mostly one-sided conversation that is true enough to be both funny and touching. She imbues the character, a sassy thing from south Texas, with tremendous heart and palpable sincerity.

Other credits include work with the Magic Theater, South Coast Repertory, Sonoma County Repertory, Sacramento Theater Company, and Summer Repertory Theater in Santa Rosa. At work (she manages a trendy New York restaurant), she’s in charge and firing on all cylinders. In this insightful and hilarious comedy, playwright Teresa Rebeck has created a character who is open and loving and hospitable, one who demolishes the theatrical fourth wall, drawing the audience deep into her world—so much so that the audience feels open to answer back to her not-so-rhetorical questions, and it doesn’t feel the slightest bit wrong. Though I think King could have milked even bigger laughs from the packed house at Cinnabar Theater by allowing a few of the setups to breathe a bit before she hit the punch line, that shouldn’t in the slightest keep you from making the trip to Petaluma, for everything about this production is top notch.

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