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The metrical pattern is described under Sapphic meter.

LANGUAGE (from Satem, Avestan for "one hundred"): Pronounced, "SHAH-tem," the term refers to one of the two main branches of Indo-European languages.

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The device leads to some interesting translation decisions in modern English editions of the Bible or Greek literature.

Should the translator "normalize" the grammar so it doesn't look odd to English students?

SAPPHIC METER: Typically, this meter is found in quatrains in which the first three lines consist of eleven syllables and the fourth line contains five.

The metrical pattern is as follows in the first three lines: (foot #1)SAPPHIC ODE: Virtually identical with a Horatian ode, a Sapphic ode consists of quatrains in which the first three lines consist of eleven syllables and the fourth line contains five.

The name comes from the Roman poet Juvenal (60-140 CE), who frequently employed the device, but the label is applied to British writers such as Swift and Pope as well. SCANSION: The act of "scanning" a poem to determine its meter.

To perform scansion, the student breaks down each line into individual metrical feet and determines which syllables have heavy stress and which have lighter stress.

These languages are generally associated with Middle-Eastern and eastern European Indo-European languages and they often have an unvoiced alveopalal sound rather than the palatal SATIRE: An attack on or criticism of any stupidity or vice in the form of scathing humor, or a critique of what the author sees as dangerous religious, political, moral, or social standards.

Satire became an especially popular technique used during the Enlightenment, in which it was believed that an artist could correct folly by using art as a mirror to reflect society.

Scatology also appears in medieval plays such as Mankind and in works associated various French fabliaux (singular fabliau).

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