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It was the peer of “The Sopranos,” albeit in a different tone and in a different milieu, deconstructing a different genre.Mob shows, cop shows, cowboy shows—those are formulas with gravitas.“Sex and the City,” in contrast, was pigeonholed as a sitcom.
Please, people, I can hear your objections from here. Before “Sex and the City,” the vast majority of iconic “single girl” characters on television, from That Girl to Mary Tyler Moore and Molly Dodd, had been you-go-girl types—which is to say, actual role models.
(Ally Mc Beal was a notable and problematic exception.) They were pioneers who offered many single women the representation they craved, and they were also, crucially, adorable to men: vulnerable and plucky and warm.
High-feminine instead of fetishistically masculine, glittery rather than gritty, and daring in its conception of character, “Sex and the City” was a brilliant and, in certain ways, radical show.
It also originated the unacknowledged first female anti-hero on television: ladies and gentlemen, Carrie Bradshaw.
For a half dozen episodes, Carrie was a happy, curious explorer, out companionably smoking with modellizers.
If she’d stayed that way, the show might have been another “Mary Tyler Moore”: a playful, empowering comedy about one woman’s adventures in the big city. Big, the sexy, emotionally withholding forty-three-year-old financier played by Chris Noth.When the initial showrunner, Darren Star, and his mostly female writing staff adapted Bushnell’s columns, they transformed that icy Carrie, pouring her into the warm body of Sarah Jessica Parker.Out popped a chatterbox with a schnoz, whose advanced fashion sense was not intended to lure men into matrimony.In a departure from nearly all earlier half-hour comedies, the writers fully embraced the richness of serial storytelling. “Sex and the City” was liberated from closure, turning “once upon a time” into a wry mantra, treating its characters’ struggles with a rare mixture of bluntness and compassion.It was one of the first television comedies to let its characters change in serious ways, several years before other half-hour comedies, like “The Office,” went and stole all the credit.But she also became scarred, prissier, strikingly gun-shy—and, finally, she panicked at the question of what it would mean to be an older single woman.Tags: Adult Dating, affair dating, sex dating